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Keeping Warm: Essays and Stories, by First Last
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Here is a collection of essays by the acclaimed author of Murphy's Romance. Max Schott is a Southern California essayist and fiction writer, and his essays concern the landscape and ecology and the economy of home. There are also a number of essays about literary icons like Chaucer, Boswell and Johnson, and Jane Austen. There are a few essays about reading. And there are a number of story-like essays about Schott's father, and his own work as a cowboy and horse trainer. Though these pieces have a range of subjects, they are unified by the straightforward, yet lyrical style of a born writer.
- Sales Rank: #3907976 in Books
- Brand: Brand: Daniel Daniel Pub
- Published on: 2015-02-25
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.00" w x 6.00" l, .0 pounds
- Binding: Paperback
- 100 pages
- Used Book in Good Condition
From the Publisher
Following the Reflections of a Storyteller—Essays and Stories by Max Schott
When Max Schott was a boy he dreamed of being a cowboy, of working on ranches, of training cow-horses, and, secretly, of becoming a rodeo star. He did grow up to work on ranches, and eventually turned himself into a good professional horse trainer. He competed in rodeos, too, for some fifteen years, imagining, for most of that time, that rodeo-stardom was just ahead. It wasn’t, and the daydream died hard. With writing it was different. When he began to write—at a time when he was still dreaming of rodeo fame—the attempts to put words on paper were not connected to any clear ambition, or to hopes for the future. He wrote for no apparent reason, or, to put it differently, because it interested him and he enjoyed it.
At thirty, feeling in need of an education, he returned to school as a graduate student at the University of California, Santa Barbara. There he took classes from Marvin Mudrick, a prominent literary critic. When Mudrick was asked to start a new college at the University, he founded the College of Creative Studies and a little later asked Max if he’d teach there too.
Keeping Warm—Essays and Stories is an eclectic collection of Max Schott’s writing, most of it written over the last decade. Some of the essays are about teaching—the people he’s known, the struggles and successes within a University, his pleasures and frustrations. Some of the essays are about the literature he’s taught and the writers he’s studied. Other essays are about life as a cowboy. Still others are short observations that appeared in a weekly column published in The Independent, one of Santa Barbara’s local papers. There are diaries about his father and his father’s death. There is an essay about the myth of an easy life in Santa Barbara. There are a few essays about reading. But all the writing in Keeping Warm is united by Max Schott’s quiet and accurate reflection on human nature, his love of the characters and places he writes about, and a seemingly unending curiosity about where his subject will lead him.
A book of essays can easily be overlooked. It’s true they may not take us to any distant or exotic place, nor will they distract us with tales of romance or mystery. But Keeping Warm is a collection that gives a view into an inner life. We are privileged to follow the thinking and intelligence of someone who is smart and good hearted and whose curiosity about human nature and what we do because of it leads him to quietly remarkable destinations. For this alone it’s worth following Max Schott wherever he takes us.
About the Author
Max Schott's stories and essays have been widely published in magazines; his work has been anthologized in Best American Short Stories, The Norton Anthology of Short Fiction, and The Pushcart Prize; and he is the author of three highly acclaimed books, Murphy's Romance, Up Where I Used to Live, and Ben. He lives in Santa Barbara with his wife, Elaine.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Seriously And Permanently For Keeps
By Robyn Bell
I've read Max Schott often and in quantity. But I have taken him for granted in the same way I take salt for granted. Essential, but do I notice? When "Keeping Warm" came out, I got it and a couple of friends did too. Later we were at a party and talk had grown sluggish. One friend said, "'Keeping Warm' is wonderful--it's the best thing I've read all year." The conversation perked up. "Yeah," somebody said, "it's like he discovered this new subject, the land of old people--the part about how he figures out at almost the last minute that he's been wrong about his father! And you get this huge shift in direction and understanding, like the end of an Ice Age, but it's done so naturally. "
Talk went on in non sequiturs. "He was a real working cowboy." This for the benefit of somebody who didn't know about Max Schott's more respectable past. "Then he became a college teacher. Oh and the essay about teachers!" In that one, a she-devil, evidently an old friend, appears and talks with Schott:
"It began with a pinch, a sharp little pinch on my arm, and then she said, "Why, in the half-century you've been in school have there been only half a dozen good teachers? And why are the thousands who aren't good, so bad, so terribly, terribly bad?" (page 138)
What makes the essay good is that people don't usually admit that most teachers are bad. But if you think of your own experience from kindergarten through whenever you exited the academic coil, you have to admit, it was a long dark hallway survivable because compulsory and occasionally illuminated.
"Keeping Warm" feels so effortless, and funny, that it's hard to believe it is written. It's as quick and felxible as thought. And while I am reading it I feel that the intelligence is contagious and I have caught it. I have that illusion when I read Jane Austen or Chaucer, too. "Keeping Warm" holds different kinds of writing on disparate subjects, such as guiding horses on tricky clay hillsides and the gods of violin--not to mention "Turpitude & Rectitude" and "The Fashion Plate."
To praise it is, in a way, beside the point. It's the work of a world-class writer at the height of his powers. And one could overlook the world-class part, because Schott's writing has a kind of disarming modesty. You get involved in what's happening and forget that an artist made it. I think that really great art does that, creates fresh air, but you're used to breathing so it feels familiar, just better than usual. "Keeping Warm" is a keeper. It's imperative.
4 of 4 people found the following review helpful.
For Keeps
By G. Austin
Max Schott's Keeping Warm is a wonderful collection of thirty-two stories and essays that dabble with everything from lassoing horses in Oregon to confronting a triple by-pass operation. Schott's genuine curiosity about the world around him makes the wide variety of topics covered a pleasure to read, no matter what the subject matter.
For instance, his diary entries contain observations about people in which the simple prose contains a rich and entertaining empathy:
"A boy sitting in the middle of Islay Street, outside my window. Not the boy that usually plays there; a visitor. About nine years old. He looks disconsolate, head down, his baseball bat is lying between his legs on the pavement. He raises his head and shouts at the top of his lungs, 'Hey! Ronny!'
From somewhere out of sight--probably his own porch--Ronny calls back 'What?'
The boy on the street, nearly as loud as before: 'Do you hate me?'
The other boy, impatiently: 'No!'
The boy on the street, not so loud, evidently relieved: 'Okay. Then I don't hate you.'
A few minutes later, they are playing again, though their voices continue to sound strained and crabby."
Due to his candor, even Schott's academic topics display his talent to make any subject compelling:
"Looking back at 'Song of Myself' with the subject in mind, I'm surprised to see how much time Whitman spends talking about death. (It occurs to me that those people who really aren't afraid of death probably spend very little time thinking or talking about it, cheerfully or otherwise.) Some of what he says just sounds like wishful thinking, or if it isn't, at any rate comes off as ludicrous assertion:
The smallest sprouts show there really is no death (37)"
Keeping Warm offers something for nearly every reader. Not too many authors can tackle Darwinism, describe their conflicted relationship with their father, and then follow up with a humorous anecdote about sending a daughter off to college. Max Schott accomplishes all of the above.
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