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Of Exile and Yearning (The Lia Mendez trilogy Book 1), by Catherine Hoffmann
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Of Exile and Yearning is an epic novel set in Europe from 1910 to the mid-1930s., exploring lives buffeted by the turbulent historical forces transforming Central Europe from the last flourish of the Austro-Hungarian Empire to the chilling build-up of the Second World War.
Lia and Frederic meet as children, never declare their love for one another, and yet remain inseparably bonded. From the comfort and security of her Jewish home and Yeshiva studies, Lia chooses her own exile, with devastating effect on her family. Her journey is a personal quest. Frederic, neither Jewish nor religious, emphatically refuses commitment to any ideal or belief. For him, life is meant for adventure and travel, the quest for enjoyment, and never to be taken too seriously.
"a thoughtful book, sensitively enfolded, full of striking insights and observations. The author's themes are thickly woven: history, the spiritual quest, exile, the question of destiny and choice, the imperatives of faith and the shapes it adopts. It is also a tale about people and their relationships, about love, self-delusion, and hope. It explores both the potentials and the limits of self-knowledge." Alex Skovron
- Sales Rank: #2840329 in eBooks
- Published on: 2015-02-16
- Released on: 2015-02-16
- Format: Kindle eBook
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life for him being a pursuit of adventure and travel and a quest for enjoyment of the moment
By Dr. Serge Liberman
THE LIA MENDEZ TRILOGY Catherine Hoffmann
Book 1: OF EXILE AND YEARNING 451 pp., $35.00 inc. postage; ebook through Amazon: $9.01.
Book 2: ACROSS THE BURNING 324 pp., $30.00 inc. postage; ebook through Amazon: $7.60.
Book 3: TAKING WING 267 pp., $30.00, inc. postage, $30.00, ebook not yet available.
Indra Publishing, Briar Hill, Victoria. *
Serge Liberman
Different from any other work of fiction written thus far by an Australian Jewish writer is this three-volume epic novel by Hungarian-born Melbourne author, Catherine Hoffmann, a trilogy that tells of the transformation of Central Europe from the breakdown of the once-illustrious cosmopolitan and cultured Austro-Hungarian Empire from before World War I, through its buffeting by an array of political forces in the inter-war years and capitulation to the fascistic terror of World War II, to the Hungarian uprising against Communist Russia in 1956.
Although the work contains a diverse cast of players, at its core are three very different distinctive individuals, bonded by ineradicable ties of friendship through personal, family and national adversities that beset them.
Central to this trio is Lia Mendez, daughter of Anna, a pious woman of one-time Sephardi Jews tending towards Kabbalistic Judaism, and of Gustav, at once an observant but also more worldly Jew. Moved by a spiritually of her own, Lia, on looking beyond herself, asks early on, ‘Do I want to live for myself or for the Universe?’ and embarks further on a personal spiritual quest, her very spirituality proves her undoing. For, upon being challenged by a friend to delve also more deeply into the Bible, she turns also to Christian texts, which lead her to an infatuation with the Biblical Jesus and conversion with immediate devastating consequences for her family and her place in her community of Sopron - notwithstanding that, within herself, she never strays from her self-identification as a Jewess.
Into her childhood enters a young boy, Frederic (Fritz), of aristocratic German parentage settled in Hungary, whose father, Julius Heiman-Hohenau, has scorned class and privilege for socialism and shed the Hohenau. An instant dedicated friendship firms between Lia and Frederic, which, in later years, augurs to many around them as being destined for each other. And yet, as they mature to adulthood, so different are they from one another, Frederic, as if from another universe, being a socially convivial man, a pragmatist and a non-believer committed to neither any faith nor ideology, life for him being a pursuit of adventure and travel and a quest for enjoyment of the moment.
Enter Rudi Wolf, innately good, religious, humble and mild-mannered, a lamed-vavnik of a man, introduced to Lia – his only love, though never declared, by Frederic himself, Frederic immediately recognising his own loss of Lia as soon as he perceives his friends’ swift mutual attraction in their sustained shaking of hands; that encounter leading in time to marriage, despite Lia’s converted status, and the birth of a child, but with Frederic remaining to both of them a friend constant in soul.
The times are the 1930s proceeding steadily and ever more menacingly towards the ‘forties as from Germany across the border come mounting rumblings and then the reality of war beginning to disrupt and overwhelm Europe more catastrophically. In its wake, Hungary becomes replete with competing ideologies: reactionary, nationalist, socialist, communist, radical, rightist, social democrat, liberal, neutral and increasingly pro-Nazi and anti-Nazi – as well as Zionist amongst its Jews, coupled with scepticism, denial, rationalisations, misplaced trust in the Allies, paralysis and confusion, baptism and delusory blindness in a situation of insidiously approaching terror, where café life and picnics still occupy a number even as anti-Jewish laws, Hungarian anti-Semitic acts, Hungarian kowtowing to Nazi demands, direct Nazi brutality, killings, arrests, round-ups and deportations have been set in train.
Upon Rudi’s enrolment as a patriot into the Hungarian Army and assigned to the east – from which he is never to return, presumed killed in a military rout, Frederic conceals Lia, along with her circle and other Jews in a cellar in one of his inherited estates. Then, when they are traced, rounded up by the Nazis and sent to the collection place, he makes his own way there, and, on reaching it, by pulling his aristocratic weight and handing to the guards two bags of money gained from the sale of his property, he secures their release, being himself arrested for assisting Jews and deported to Mauthausen. Seizing opportunity, he escapes and returns to the cellar where Lia is, by this time, broken by guilt, surrounding human excretory stench, and the death of her child and a sister during carpet bombing of the city by the would-be liberating allies.
From hereon, with Lia being restored, she and Frederic remain together – bringing to reality their destiny as foretold by the would-be early oracles, but no happy ending is this.
True, Hungary is liberated by the Russians, but at the price of the country’s transition from one form of despotism to another as Communism takes hold, ridden by purges and assassinations at high levels and tyranny over the populace, culminating, in the 1956 uprising by the people.
Frederic and Lia survive, coming soberly to recognise that emigration is their sole viable option, Australia decided upon as their destination.
This review is, of necessity for reasons of limited space, but a skeletal frame of a saga of grand eventful flowing narrative of self-searching, identity, values to live by in a world turned evil, of loss of self and recovery, abandonment and reunion, oppression and altruism, peopled by a score of closely interwoven authentic characters, all of this fortified by breadth of historical, political and Judaic learning and driven by richly eloquent and imaginative evocative prose.
Serge Liberman is a retired Melbourne medical practitioner, author of six collections of stories, editor and compiler of the comprehensive and much-annotated The Bibliography of Australasian Judaica 1788-2008. In this year’s Australia Day Honours list, he was awarded the Medal of the Order of Australia (OAM) for his contribution to Australian literature as an author, historian and scholar.
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