PDF Ebook Carus & Mitch, by Tim Major
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Carus & Mitch, by Tim Major
PDF Ebook Carus & Mitch, by Tim Major
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Carus is only fifteen but since their mum disappeared, looking after her little sister Mitch is her job. There's nobody else. Not in their house and not outside, either. There's something out there, scratching and scraping at the windows.
The barricades will hold.
They have to.
- Sales Rank: #5298194 in Books
- Published on: 2015-02-23
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .20" w x 5.00" l, .21 pounds
- Binding: Paperback
- 88 pages
Review
"Carus & Mitch is punchy and scary and tense and genuinely moving. The central portrait of the book's sibling relationship captures its mixture of friction and love spot on, with heartbreaking precision. Tim Major is an exceptional writer."
--Adam Roberts, author of Jack Glass and Bête
"Tim Major takes now-familiar tropes--an apocalypse, a resourceful teenage girl heroine--and recasts them in a bleak miniature portrait of a world ending with a whimper rather than a bang. More The Road than The Hunger Games, blending a John Wyndham-esque melancholy with a dose of existential despair, Carus & Mitch is a compelling, unconventional page-turner. Once I started reading it, I couldn't put it down until I reached the end."
--Lynda Rucker, author of The Moon Will Look Strange
"A sad, sweet little book that does post apocalyptic at a soft, intimate level."
--Garrett Cook, author of Murderland and Time Pimp
"Grim, bleak storytelling, paired with simmering tension strikes the same haunting chord as Richard Matheson's I Am Legend, and the overall tone is reminiscent of Room by Emma Donoghue and Shirley Jackson's short story "The Lottery.""
--Kristin Luna, Urban Fantasy Magazine
About the Author
Tim Major lives in Oxford in the UK with his wife and son. His love of speculative fiction is the product of a childhood diet of classic Doctor Who episodes and an early encounter with Triffids. His literary heroes are John Wyndham, John Updike, Shirley Jackson, Ray Bradbury, Patricia Highsmith and Nigel Kneale. When he's not writing he works in educational publishing, so is still writing, sort of.
Tim's short stories have been published in Interzone and the Infinite Science Fiction anthology, among others. He blogs about writing and reading at cosycatastrophes.wordpress.com
Most helpful customer reviews
1 of 1 people found the following review helpful.
Carus & Mitch
By Mihai (Dark Wolf's Fantasy Reviews)
It is said that humans are creatures of habits and I am certain that I have some of my own. I believe I even started to develop another one and that is to fit, as much as possible, more titles released by Omnium Gatherum Books within my readings. The first few ventures I took in their publishing work have been satisfactory. Actually, that is an understatement since the rewards coming out of Omnium Gatherum’s titles I read have been more than just satisfactory. As it proved to be the case with their latest book falling into my hands, Tim Major’s novella, “Carus and Mitch”.
Carus and Mitch are two sisters living alone in a big house, isolated from the outside. Only their home is reduced to only a few rooms and a small yard, with the rest of the house boarded up. Each day they attend their chores, among them exchanging the eggs from the chickens living in their dining room for canned food and checking the barricades raised against the outside world. But things are about to change for Carus and Mitch.
I find myself in a tricky situation, facing an unusual difficult task. I would very much like to talk to some extent about “Carus and Mitch”, but at the same time I am afraid to do so. It is not for the lack of words, but out of the fear of not revealing too much from Tim Major’s novella. Because the beauty and the entire satisfaction of this story is going through it page by page, the plot unfolding with every single word that paves the road to the final destination of “Carus and Mitch”. But I’ll certainly do my best.
Tim Major’s novella starts with an emotional moment, a touching surprise Carus receives for her fifteenth birthday from her younger sister, Mitch. Not only it is the opening scene of the story, but it is also the foundation of the relationship the lone sisters have. It’s a connection that doesn’t lie exclusively on the petals of roses, but on the spins of the stems as well, involving moments of conflict and discordance that siblings often share. The entire connection between Carus and Mitch, with its rises and downfalls, is rendered with sterling realism by Tim Major. There is not a single moment when this family of two members losses its face. The moments of pure love, the little habits one has but the other finds annoying, the innocent teasing and needless mean acts between family members are all there. Likewise, this initial scene is the point from where the story starts to descend into dark corners. The delicate moment of one sister surprising the other for her birthday leads to dark and darker still events, sending the plot to an end where this gentleness remains only a very distant memory.
It could be said that “Carus and Mitch” is a post-apocalyptic story, but I am reluctant to assume this definition and I’ll explain why shortly. There is a constant feeling of an outside menace throughout the novella, the girls are isolated from the outside world in fear of a threat not named. It is a constant sensation and Tim Major enhances this particular atmosphere through his characters. Living constantly with each other, without any apparent means for escape or without seeing anyone else, strains the relationship between the two sisters and builds tension. The daily, repetitive chores Carus and Mitch need to attend add further pressure, accentuated by the limited space in which they live. Limited on their own accord. In this restricted living area Carus and Mitch have a little library though and it is from the books and magazines found there that the seeds of questions start to grow inside Mitch’s mind, where a fertile ground for such a thing already existed. All these whys are not tethered only to the two characters however, they spread to the reader too. More than several times I started to ask questions for the story and not a single time I received an answer. At the first consideration this statement might sound bad, but it is not, all the unanswered questions the reader has work in favor of the story. Tim Major’s novella is solid and compact and all that it lets hanging up in the air is an important part of its composition. Even my assuming that “Carus and Mitch” is a post-apocalyptic story is up to debate in this light. It might be, but very well it might entirely something else. Every little question one could come up with for this tale is up for personal interpretation. It is part of the magic of this wonderful novella and I am certain part of the profit that could be gained from re-reading it.
Habits are not always good, but I am not about to change my newly acquired one of checking as many titles Omnium Gatherum publishes as possible. If Tim Major’s “Carus and Mitch” is anything to go by I embrace this habit with opened arms. And if Tim Major’s future works are as good as his debut novella, “Carus and Mitch”, I am perfectly happy to also acquire the habit of following closely his writing career.
0 of 0 people found the following review helpful.
Ambiguous, Mysterious, Dark and Distressing
By David Dubrow
Tim Major’s novella Carus & Mitch is very much in love with its own ambiguity. So much so that after reading it, you’re left wondering what it is you’ve been doing for the last hour, and if you had a good time doing it. It’s got some interesting characters, a bizarre and unfortunate family dynamic, a terribly grim setting, and a series of mysteries that remain unsolved.
Major serves up a very bitter meal here, something unrelentingly dark and distressing. In that respect, the novella is extremely successful. Carus, the protagonist, is locked in the house with her younger sister Mitch, and is forced to not just provide for her, but maintain a level of physical security against an unnamed antagonist or disaster just outside. As both of these characters are children, it evokes a terrible poignancy: what happened to their mother? How will these poor children survive?
Carus boils everything down to an almost ritualized series of traditions that keeps them both busy and safe. She trades eggs for canned food, rations out the cans, and occasionally gives what few luxuries they acquire to Mitch, usually as an apology for having yelled at her or something similar. These two are hanging on by a thread, and we feel awful for them.
Still, we don’t know what’s happening in the world outside, if anything. Everything’s told in vague hints. Lacking a definitive climax, the story simply ends with us none the wiser. Ambiguity can have a very prominent place in dark fiction like this, but without any resolution, we’re left somewhat unsatisfied.
(Originally reviewed at Ginger Nuts of Horror: http://gingernutsofhorror.com/4/post/2015/06/horror-fiction-review-round-up.html)
0 of 0 people found the following review helpful.
Carus & Mitch
By Kelly Gunderman
I was gifted a copy of this novella by the author, Tim Major. A great many thanks for the opportunity to read this wonderful story.
When I first started reading this book, I was immediately reminded of the novel Bird Box by Josh Mallerman. I loved that book, and although there were parts of this novella that reminded me of that book, they weren't really similar the farther I got through it. To me, this book seemed more of a psychological thriller, and it was a nice treat.
Carus and Mitch are two sisters who are hidden away in a few rooms of their house, while barricades block off the rest of the rooms to keep them safe from the frightening things outside. The windows are covered, and the Carus only goes outside at certain times to pick up trades from someone named Jom. They trade chickens and eggs for tins of food, crackers, and chicken feed. The girls continue like this for years after their mother disappeared. The novella tells the story of how the younger sister, Mitch, begins to question Carus, and how their relationship becomes strained as Mitch ventures outside, against the wishes of her sister.
While I thought this was a great book (I read in quickly, and in one sitting, because it was so delightful), I wish there had been some more concrete answers to some of the mysteries in the book. I also wish this book had been longer, because I thought that it could have been a fantastic full length novel. I look forward to reading more from this author.
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