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Eric Walrond (1898–1966) was a writer, journalist, caustic critic, and fixture of 1920s Harlem. His short story collection, Tropic Death, was one of the first efforts by a black author to depict Caribbean lives and voices in American fiction. Restoring Walrond to his proper place as a luminary of the Harlem Renaissance, this biography situates Tropic Death within the author's broader corpus and positions the work as a catalyst and driving force behind the New Negro literary movement in America.
James Davis follows Walrond from the West Indies to Panama, New York, France, and finally England. He recounts his relationships with New Negro authors such as Countée Cullen, Charles S. Johnson, Zora Neale Hurston, Alain Locke, and Gwendolyn Bennett, as well as the white novelist Carl Van Vechten. He also recovers Walrond's involvement with Marcus Garvey's journal Negro World and the National Urban League journal Opportunity and examines the writer's work for mainstream venues, including Vanity Fair.
In 1929, Walrond severed ties with Harlem, but he did not disappear. He contributed to the burgeoning anticolonial movement and print culture centered in England and fueled by C. L. R. James, George Padmore, and other Caribbean expatriates. His history of Panama, shelved by his publisher during the Great Depression, was the first to be written by a West Indian author. Unearthing documents in England, Panama, and the United States, and incorporating interviews, criticism of Walrond's fiction and journalism, and a sophisticated account of transnational black cultural formations, Davis builds an eloquent and absorbing narrative of an overlooked figure and his creation of modern American and world literature.
- Sales Rank: #1839196 in Books
- Published on: 2015-02-24
- Original language: English
- Number of items: 1
- Dimensions: 1.40" h x 6.00" w x 9.10" l, .0 pounds
- Binding: Hardcover
- 440 pages
Review
A great read, even for readers who do not know about the Harlem Renaissance and Eric Walrond. The book tells a fascinating and moving story of a literary talent's demise, or what it takes to nurture and support the literary talents of minority and impoverished writers struggling with their issues of self-esteem and self-confidence while living in straitened circumstances.
(Michelle Ann Stephens, Rutgers University–New Brunswick)Eric Walrond, handsome, cosmopolitan, and beguilingly enigmatic, may have been the most promising literary talent of the Harlem Renaissance. His collection, Tropic Death, was an astonishing succes d'estime. A Guggenheim Fellowship certified the promise of The Big Ditch, Walrond's bildungsroman of capitalism, underdevelopment, and race. In one of the more mysterious losses in American letters, the book never appeared and its author disappeared. James Davis's finely written, beautifully paced Eric Walrond is a major biography of a fascinating figure, a triumph of archival sleuthing that reintroduces readers to almost everybody known to his peripatetic protagonist.
(David Levering Lewis, New York University)Davis has given us a rich portrait of the writer who may be the greatest conundrum of the Harlem Renaissance: Eric Walrond. He not only situates the 'sepulchral' brilliance of Walrond's best-known book, Tropic Death, but also recovers a much larger corpus of fugitive articles and stories. As peripatetic (with stops in Barbados, Panama, the United States, Haiti, France, and England) as it was ultimately tragic, Walrond's life may be the single most resonant record of the transnational contours of black culture in the period.
(Brent Hayes Edwards, author of The Practice of Diaspora)An eloquent biography… Davis's careful and meticulous research re-establishes Walrond as one of the first black writers to depict Caribbean lives and voices in American fiction, putting him alongside his peers in the Harlem Renaissance.
(Publishers Weekly)[Davis's] biography provides deft readings of the Harlem Renaissance and the transatlantic Caribbean, while bringing Walrond out of the shadows.
(Douglas Field Times Literary Supplement)Well-researched and highly readable.
(Caribbean Quarterly)Skillfully researched and engagingly composed, the books stands as a discerning recuperation of a paradigmatic but neglected figure.
(Small Axe Salon)[An] excellent new biography of Walrond.
(James Smethurst Journal of American History) Review
The time is now for this biography of Eric Walrond. It will unquestionably make an original and significant contribution to the fields of African American and Caribbean literary studies, transnational studies, and Diaspora studies. It is the only existing biography of Walrond, and does an admirable job of not only presenting solid research on its subject but also thinking through the complexity of Walrond's particular contribution and role in twentieth-century black transnational and Diaspora history and culture.
(Gary Edward Holcomb, Ohio University) About the Author
James Davis is associate professor of English and American studies at Brooklyn College. The recipient of a fellowship at the Leon Levy Center for Biography, he is also the author of Commerce in Color: Race, Consumer Culture, and American Literature, 1893–1933.
Most helpful customer reviews
3 of 3 people found the following review helpful.
compelling portrait of important unrecognised man
By Leslie Gardner
This is more than simply the biography of one troubled man - it's about a history of Caribbean politics/statehood and its relationship first of all to the USA but also to rest of the world - it fits the individual man into his surroundings and the effects on him. Social status and the pressures of racism, internationally, answer some of the anomalies of the personality and this just makes so much sense that it embellishes the biography to make it more than a chronological story of one man who rather disappeared after his flowering. His life seems to have fallen apart but when examined closely it's that departure he made from his original trajectory in order to take on injustices that was the swerve - it cost him deep peace of mind and probably his family, but he regained part of his own past and settled (perhaps) with it - the history of Panama which absorbed him we are told for years, is enriched by his participation and his accurate portrayal in his early classic volume. Columbia is publishing important works of Afro-American scholarship which reveals new precepts of discussing American history as a country aimed at colonisation in what was a psychically destructive project, and the tools developed in Afro-American scholarship are enabling us to make that transparent with a view to dissolving them. This volume is a superb example, and hopefully it will be widely read.
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