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Comic Potential - A Play (French's Acting Editions), by Alan Ayckbourn
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A hilarious satire of television and a touching romantic comedy, it begins in a television studio where a hospital soap opera is being taped. One actor starts speaking gibberish; he is an "actoid" a robot and his programming is off kilter. Adam, the young nephew of the producer and an aspiring writer who worships the director (once a great movie director and now a broken down has been), is on the set. Adam starts chatting with Jacie Tripplethree, the actoid (serial number JC333) playing the nurse and finds, to his surprise, that not only can she carry on a conversation but, due to what she calls a fault in her programming, she has a creative imagination. Adam wants to build a new television series around her but the studio will not hear of it. He also finds he is falling in love with the charming robot! Will Adam get the green light on his series? Will love prevail? Jacie is one of Ayckbourn's greatest characters; her portrayer won all of London's major acting awards.
- Published on: 2015-02-20
- Format: Import
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .19" w x 5.51" l, .26 pounds
- Binding: Paperback
- 92 pages
Review
“As with all Ayckbourn's best plays you are watching a comedy-farce and suddenly find that tragedy comes out of the woodwork and grins at you...Like all serious comedies, Comic Potential hurts you with the sheer exuberance of its laughter and liberates you with its seriousness...The master of Scarborough is still on top form.” ―Sunday Times
“He is a profoundly moral writer and . . . has reached a new synthesis between the comic and the serious-the painfully funny . . . We are a fortunate age to have had our own Molière.” ―Sir Peter Hall
About the Author
Born in London in 1939, Alan Ayckbourn spent most of his childhood in Sussex and was educated at Haileybury. Leaving there one Friday at the age of seventeen, he went into the theatre the following Monday and has been working in it ever since as, variously, a stage manager, sound technician, scene painter, prop-maker, actor, writer and director. These last two talents he developed thanks to his mentor, Stephen Joseph, whom he first met in 1958 upon joining his newly formed Studio Theatre Company in Scarborough. A BBC Radio Drama Producer from 1965 to 1970, upon the death of Stephen Joseph, he returned to Scarborough to become the company's Artistic Director. He holds the post to this day, though the theatre is now named after its founder. He is the author of over fifty plays, most of which received their first performance at this Yorkshire theatre, were he spends the greater part of the year directing other people's work. More than half of his plays have subsequently been produced in the West End, at the Royal National Theatre or at the Royal Shakespeare Company. They have been translated into over thirty languages, are seen on stage and television throughout the world, and have received many national and international awards. Alan Ayckbourn was appointed a CBE in 1987 and in 1997 became to first playwright knighted since Terence Rattigan. He lives in London.
Most helpful customer reviews
6 of 6 people found the following review helpful.
"Comic Potential" is masterful and thoughtful!
By A Customer
Real life situations, classic characters, and a futuristic twist make readers as well as audiences wonder what the future will bring. This has got to be my favorite Ayckbourn play yet. It is also a great acting tool because you see the play through the eyes of the playwright. However, it may not be appropriate for young readers do to adult language and situations.
5 of 5 people found the following review helpful.
A smart, funny sci-fi comedy
By Michael J. Mazza
"Comic Potential," by Alan Ayckbourn, represents a species of literature that I don't believe I have ever before encountered: a science fiction comedy for the stage. The opening pages note that the play was first performed at the Stephen Joseph Theatre in Scarborough in 1998, and was then presented in London in 1999. A brief author bio notes that the London-born Ayckbourn has had a distinguished career in the British theater.
The book version's back cover notes that this play takes place "in the forseeable future." In this future world human actors have apparently been replaced by acting robots known as "actoids," which are programmed by technical specialists. Early in the play a young writer named Alan meets an actoid in whom he sees a potential for comedy. Alan's plans, and his relationship with his robotic protegee, drive the plot forward and complicate the lives of many characters.
This is a funny and thought-provoking play that combines comedy and mild suspense. Ayckbourn offers a fascinating glimpse at a culture which, because of the presence of human-like robots, has evolved its own set of new social protocols and prejudices. Clever dialogue and well-written characters further add to the impact of this entertaining, and surprisingly moving, text.
3 of 3 people found the following review helpful.
Fun with the Future
By Bepaluna
I admire Ayckbourns' work and this reminded me of one of his best plays; "Communicating Doors". It's funny, sad and hopeful and I'd love to see it performed. The man is a true genius and thankfully he's prolific as well!
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